Believing, as I do, that an author should do his own research so far as time and money permit, I went once again to Paris on the trail of the truth about Lola Montez in Paris. The results surpassed my expectations and I’m confident now that Lola prepared to seduce King Ludwig I while she was still in Paris in 1846. Portraits show that she transformed herself from an auburn haired Irish beauty to a black haired Spanish grandee’s daughter. She had some knowedge of Spanish and Catholicism from her earlier stay in Spain. In Munich, she had to pretend to be a Spanish Catholic and she played her part well. By 1846, she already had a Ph.D in seduction (if such a thing existed). Once she got access to old Ludwig, it didn’t take her long to make him believe that she was the best mistress he could find.
Lola Montez must have been a great actress if she really made the Court of King Ludwig believe that she was indeed a Spanish noblewoman and a Catholic when she was neither . Her command of Spanish was poor but so was Ludwig’s. The Jesuits, whom she accused of persecuting her, may have had their suspicions.
If Lola had not engaged in politics and settled down quietly, she might have enjoyed a long and luxurious life as the Duchess of Landsfeldt and the King’s favourite. There was unending jealousy amongst those at Court who sought to promote their own ends. Lola Montez was inexperienced in dealing with this constant intrigue and pushed too hard to get her views paramount. Inevitably, she had to go sooner or later or be killed.
Even after she was forced to flee from Munich, she continued to enjoy a substantial allowance from Ludwig. Her marriage in London, first in a Catholic church and later that same day in a Church of England ceremony, caused Ludwig to doubt her Catholicism and he stopped her allowance on the grounds that her new husband had enough money to support her.